The first think you notice with this lens are the depth and richness of colours and tones along with the rendering of slight differences. This lens was released in 1996, and a version 2 was released in 2016. Its fine picture quality extends all the way to the extreme corners of the image field, and outstanding contrast is achieved at all. The Summicron-M 50mm f/2 stands out due to both its compact and well-proven optical design, as well as its legendary focal length which can provide natural perspectives. The 35 Summicron a highly popular lens because it delivers good image quality in a tiny package with fantastic handling. Leica Summicron-M 50mm f/2 Black Anodized.
LEICA 50MM SUMMICRON FULL
I bought it because I like excellent rendering and real sharpness and because pro full screen re flex cameras have become too cumbersome to use day to day. The Leica 35mm f/2 Summicron ASPH is a sentimental lens for me, since it was the first lens I used when I started shooting with the Leica M9. The eye and skill of Henri Cartier Bresson an updated M3 to go with it with light measurement and ultra hi- res digital receptorĢ. It is lighter than the latest leica M 1.4 50mm and a lot cheaper. Its fine picture quality extends all the way to the extreme corners of the image field, and outstanding contrast is achieved at all apertures. You do realize that the lens was introduced (and the optical design never changed) in 1976 and was in production to 2009 it was never expected to have sharp corners wide open. This lens gives better results than the latest Nikon or Canon 50 mm, pro lenses. The Summicron-M 50mm f/2 stands out due to both its compact and well-proven optical design, as well as its legendary focal length which can provide natural perspectives. LLC - 121 Production era - 1964-1976 black 1964-1966 200 chrome < 95,647 lenses Variants - 1-cam, 2-cam, 3-cam red scale (early), yellow scale (after 1967), black and chrome versions Note - The chrome finish was made for the Leicaflex. Timelessness (Works perfectly with Cameras from 1955 to 20xx)ĭiscretion - Works with compact rangefinder cameras you can put into Trouble is that the 50mm Summilux has an attractive image character that might be difficult to reproduce in a more "perfect" lens.Īll that said, as well as producing perfect lenses such as the SL Summicron and the AP 35/50mms, they seem to be intent on reliving the nostalgia of old lenses, such as the f1.2 Noctilux, to satisfy at least the older among their customer base.I like: Superlative definition amd sharpness, the best money can buy, Leica are well behind on their SL lens roadmap (21 and 24 missing) so that would be a priority over some of the other M lenses and I agree that the Summilux would be priority over the APO Summicron. I suspect that they will be guided by the sales of the 75mm and 90mm Noctiluxes. There are no aspherical surfaces or floating groups, but this lens doesn’t need them to perform excellently. Leica has used this design since 1979, but updated the mechanical design in 1994. A six elements, four groups optical design provides even brightness and sharpness across the image frame, and also helps to. The Summicron is a simple double-Gauss design and is almost identical in design to the Zeiss 50mm f/2 Planar. If anything, the 50mm Noctilux is starting to show its age on digital sensors (colour as well as resolution), but Karbe points out in one of his interviews that it would, of course, be possible to get rid of the purple fringing at the expense of size and raw glass costs. A versatile all-around lens, the Summicron-M 50mm f/2 from Leica is a normal-length prime featuring a fast f/2 maximum aperture to benefit working in low-light as well as offering greater control over depth of field.
LEICA 50MM SUMMICRON UPGRADE
The 90mm APO Summicron is probably the oldest of the APOs but 90mm probably doesn't sell as well as some of the wider angles, so the incentives to upgrade it are less compelling (and it is very sharp on a 24mpx sensor but just has a few edge aberrations on certain scenes that show its age). I doubt that the 50mm APO is a priority for updating as I doubt that you'd be able to tell the difference on an M, unless they can find a cheaper way of manufacturing a different design to the get the same result.
0 kommentar(er)
